Showing posts with label creation. Show all posts
Showing posts with label creation. Show all posts

Tuesday, January 21, 2014

Biassed Verses - C.2 Q.49 , C.6 Q.21 & C.8 Q.83


Biassed Verses - C.2 Q.49 , C.6 Q.21 & C.8 Q.83

The following three verses each hold an anagram for biassed and they are the only ones to do so. In each case the other anagrams in the verse accentuate the aptness of the biassed setting. In the first it involves imbalance in the attitudes of those in power towards the different genders. It seems to hold the same idea found in many other verses whereby the male population will be exposed to radiation that changes their fertility and thus their usefulness in a world that has vastly diminished resources.
The second of the verses alludes to religious agencies whose view of the world dominates the genociidal practices that will occur towards the end of this century. I believe these three verses are part of the same story.
 
The third of the set implies that the printers of materials bias public opinion via censorship which favours the orthodox line on sexuality. It references the stories of Peter and Herod as the frames determining what will be acceptable under the new regimes. But it appears the tyranny that takes place later in this century eventually will be thwarted.
 
C.II Q.49
The advisers of the first monopoly,
The conquerors seduced for Malta:
Rhodes, Byzantium for them exposing their pole:
Land will fail the pursuers in flight.
Les con$eillers du premier monopole
Les conquerants $eduits par la Melite
Rodes, Bisance pour leurs expo$ant pole
Terre faudra les poursuiuans de fuite
Anagram sequences in French Text
  1. <pole moon pure reds ill rime encLoSes><pole more impure reds cloSe no lineS> 
  2. <Male conquers parts Sustained><querants uSed its sperMatial Selection><Male rapist eLections unaSserted><elite aSsent stupid alarM><it encLose parts Male querant iSsued><quatreins-uSed Male parts seLection>
  3. <ruler pounce oppoSant Biassed sex Role><lepanto expoSures><nuclearpouer disrobes><piscean Bodies louuer sex oppoSant Role>
  4. <real prouuess infused uia><a fraud><it refer feuds><sudan spurious fraud real><it-refuTed fear>

Centuries 6 Quatrain 21

The following verse is one of three holding an anagram for biassed.
C.VI Q.21
When those of the arctic pole are united together,
Great terror and fear in the East:
Newly elected, the great trembling supported,
Rhodes, Byzantium stained with Barbarian blood.
Quant ceux du polle artiq vnis ensemble
En Orient grand effraieur et crainte
E$leu nouueau $ou$tenu le grand tremble
Rodes Bi$ance de $ang Barbare taincte
Anagram sequences in French Text
  1. <qvatrein poll is seen><eQual unexact iraq-polluted><qvatrein ensembles><qvin nemesis preallot><qvartile nimbleness> 
  2.  <granted fafir creature><intErgeneratiOn><rEgeneratiOn interact><and genitOr a-differ>
  3. <uSa large tenuouS trend ouue lunes><rESemble lune granted lune ouStS>
  4. <cReation Biassed><doctRine Basis><caBins desecRation> <certain arab><barter cReation BandageS>disroBe bare aScend intact><BiaS doctRinate><barter Bandages ceRtain Bodies aScend>

Centuries 8 Quatrain 83

The following verse is the third of those holding an anagram for biassed. All three are united by the word Bisance and the first two by their reference to the Pole.
 
C.VIII Q.83
The largest sail set out of the port of Zara,
near Byzantium will carry out its enterprise.
Loss of enemy and friend will not be,
a third will turn on both with great pillage and capture.
Le plus grand voile hors du port de $ara
Pres de Bi$ance fera $on entreprin$e
D'ennemy perte et l'amy ne $era
Le tiers a deux fera grand pille et prin$e.
Anagram sequences in French Text
  1. <novigrad deports a reaL shoulder plus><deportS olive shroud><herods proudest oil><holier d poStured> <novigrad predatorS shoulder><novigrad upholders Stored> 
  2. <PreBiaSsed printerS fence reaSon><BeSides fear Son can enter>
  3. <peter let many See my enD-near>< my enn temperately SerenaDe><men retype enD-yearS metal><reDSea elementary-type><are many letter eeS>
  4. <earLiest fear uxed> <Sin pill peter arranged><preinset a sterile fear uxed><steadierLines refuxe peter pill>



Friday, January 10, 2014

Centuries 4 Quatrain 91 (C.IV Q.91)



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Nostradamus' Centuries 4 Quatrain 91

 
There are reasons in the text and hidden anagrams of this verse to believe it is about the physical and theoretical wars that will occur in this century. Within this context the perpetual prison is ideology and the wrongly accused are those judged to stand outside its bounds. The key words compelling this conclusion are 'theocrats', 'refashion tracts', 'generalise amount' 'Copernicus's' rotate'. There  are also 'creator,'creations', 'peter' , 'eulogias' and 'Epperson' contributing to the religious nature of this battle. There may also be more complex anagrams for 'repercussion-capture to tell'. The anagram for Epperson is fully in keeping with this story for it is the name of a teacher who took a creationist inspired legislature to court over laws stating that to teach evolution in any Arkansas school might lead to a criminal conviction. Finally the last line of visible text and its anagrams can be interpreted as a failed attempt by a modern sect to resurrect the line of Jesus through world-wide war.

For the Gallic Duke compelled to fight in the duel
The ship of Melilla will not approach Monaco,
Wrongly accused, perpetual prison,
His son will strive to reign before his death.
Au duc Gauloise contrainct battre au duelle
La nef Mellele monech n'approchera
Tort accu$e pri$on perpetuelle
Son fils regner avant mort ta$chera.
Anagram Clusters contained in French text
  1. <auu-loGic creations><bactrian [anc Iranian] treat uualled section><oil containers><creation batter a uualled section>><euloGias [blessing]> <uuatered>
  2. <heracLean prop> <reapproach><enfLaMe once choLera happ'n>
  3. <roTate CopernicuS'S><perSon><percuSSion actor repute Tell><epperSon [Arkansas evolution curriculum]>
  4. <theocratS><refaShion tractS><reaSon lif(e) generalis' amovnt chatterS><engravers><Start Search on graven fl(i/y)ers>

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