Nostradamus C.8 Q.80: James Earl Ray, assassin and financial conspirator. In 1987 I found a most unexpected anagram in this verse, it was the alias adopted by James Earl Ray in 1968. The other anagrams fit to the tale of both James Earl Ray's assassination of Martin Luther King and a more modern extension of a sect involved in both murder and financial manipulations. This verse is discussed in my papers on this subject (See  my paper on Martin Luther King for full analysis). Below is an extract from my earlier work. A little more than two months after King's death, on June 8 1968, Ray, an escaped convict who had broken out of the Missouri State Penitentiary a year before the assassination, was captured at London's Heathrow Airport while trying to leave the United Kingdom on a false Canadian passport in the name of Ramon George Sneyd. He was desperate for money. He'd been involved in robberies in the UK and this was the reason for his voyage. Ray was charged with King's murder, confessing to the assassination on March 10, 1969, (though he recanted this confession three days later) and was sentenced to 99 years in prison. On the advice of his attorney Percy Foreman, Ray took a guilty plea to avoid a trial conviction and therefore the possibility of receiving the death penalty. It was while exploring the above facts that I entered the name Ramon-George-Sneyd into my search program and found it existed as an anagram in Centuries VIII Quatrein 80 L.2 . This line's  visible text is "so many evils committed by means of the Great Red one" which seems pertinent to a murderer such as James Ray  but it leaves a question, was James Earl Ray ever called the Great Red one? I can find nothing to suggest he was. The hidden text implies Ramon George Sneyd mandate, money fails as parts and this is an accurate reflection of what happened. C.8 Q.80  The blood of innocents, widow and virgin, so many evils committed by means of the Great Red One holy images placed over burning candles, terrified by fear, none will be seen to move. Des innocens le $ang de vefue et vierge Tant de maulx faitz par moyen $e grand Roge Saintz $imulachres trempez en ardant cierge Defrayeur crainte ne verra nul que boge. Anagram Sequences in French Text. (** = full line coverage) <avenged leSsen reconsigneD<once Designer leanneSs><once energiseD><cleanneSS> <Degrees> <Diverge> encloSes <Ramon-george-Sneyd [aka James Earl Ray]><mandate flux> <partz money dangerS failx> <endangeRS><aTtend dRagon genre><romney pazt dangerS> <charles reincarnated Sage temperz> <Sanitizes her muSical tempers><charters > <angrieSt cite> creating / reacting redacting <ray intervene feed curare><reverent gebo [gift rune] unequal ><recur in a rare event><certain ur year never lunar> venetian FREQUENCIES OF RAREST OCCURRENCE in Centuries Ramon-George-Sneyd, energised, reconsigned, diverge, failx, sanitizes, reincarnated, rare event. avenged, cleanness,  temperz, reverent Romney, intervene degrees, leanness, unequal, Gebo pazt, musical, Venetian, lunar designer, encloses, partz, charters mandate, creating / reacting , tempers, curare flux, endangers, Charles - money, angriest - - - - - certain redacting never, recur

Nostradamus C.6 Q.73: Oil deal between East and West based on Knights Hospitallier' practices. There is a distinctive pattern in the anagrams that readily ties in to Nostradamus' text and it takes us back to ancient trading practices. Such a reference to the past is only relevant if it fits to the future themes that are at the heart of Nostradamus' Prophecies. In his two epistles accompanying the prophecies the linking of the past to the future is a technique that Nostradamus frequently declared he used.   C.6 Q.73  In a great city a monk and artisan, Lodged near the gate and walls, Secret speaking emptily against Modena, Betrayed for acting under the guise of nuptials. En cite grand vn moyne et arti$an Pres de la porte loges et aux murailles Contre modene $ecret caue di$ant Trahis pour faire souz coleur d'e$po$ailles. Anagram Sequences in French Text. (** = full line coverage) <anciEnt treatiSe / treatieS danger><treat inSanE money creating><rE-enacting movnd entreaty> <Presell uuar-mix petrol deal goes east><allies Presealed petrol goes> <aCtionS educate endorSement><**re-encodeS acute SanCtioned term**><more ConStant needS> diStanCe eduCationS ConStraint <allieS poSed his sTar / Tsar rule><our fair ship alTers Sail><urfa [Edessa] hospiTalliers [knights] colourizes><urfa aphorisT sell><So earThs ill repulSed> FREQUENCIES OF RAREST OCCURRENCE in Centuries entreaty, re-enacting, re-encodes, sanctioned, colourizes, Hospitalliers, aphorists constant, educations endorsement, aphorist ancient, treaties / treatise, educate presell, constraint - creating, actions, ship presealed - money - repulsed distance allies (2 in this verse), petrol posed

Centuries 4 Quatrain 98 (C.IV Q.98)

Quatrain Lists eMail Link My Rules etc My Web Site My e-Books Nostradamus' Centuries 4 Quatrain 98 The anagrams of the first line are intriguing with their being a complete sequence saying ' Norse labels a d'Nostredame passion'  ( nois_paS a Les_Alb Seron t_dedans_Rome). The second line also has quite meaningful and complex sequences that seem pertinent to the cause of Nostradamus. They say 'deems some perils a bluff' 'fearful symbole' 'annoyment sufferable'. These are most unusual, unexpected, complex and rare but their message fills in  a part of Nostradamus pattern. It unites, music, astronomy, Agrippa and Nordic poetry as used in the Prose Edda and it exploits past and present to date the future. The union is illustrated by several close-by verse (see C.IV Q.93 and C.IV Q.100)  since ancient astronomic allusions are used together with the absence of Nordic-style internal rhyme to generate a single date for the events of each verse. And it is done using Agrippa's musical coding system for the planets. It is not surprising Nostradamus would have a passion for these fearful symbols for they allow Nostradamus to date his message by a sophisticated use of sound and lettering. And there are many references in his prefaces and verses that state that there is a hidden code in the pattern of the verse. But in this verse it does not lead to a precise date but to an allusory defining of its story.    In this verse there  are internal rhymes based around 'on/an /en' that mark it as one where harmony dominates. This marks the verse as one where the classic tale of Venus is relevant. According to Agrippa the sounds of the planet Venus are lascivious, luxurious, delicate, voluptuous, dissolute and fluent. I believe the following sounds are therefore pertinent indicators of Nostradamus intent "ou ux us uz uc ue eu oi ol lo il li ly  lu ul sl un nu am ma mu om mo ns sn en an is ys iz ez". Many of these can be found throughout this verse   I believe the sounds of Venus are the sounds of the institutions and persons that are neither part of war nor its warriors. It is by this reasoning that I conclude the anagrams identify the major participants as bankers who foreclose on their borrowers with devastating results.   C.IV Q.98 Those of Alba will pass into Rome, By means of Langres the multitude muffled up, Marquis and Duke will pardon no man, Fire, blood, smallpox no water the crops to fail. Les Albanois pa$$eront dedans Rome Moyennant Langres demipler affubles Marquis et Duc ne pardonnes a homme Feu $ang morbilles point d'eau faillir les bleds. Anagram Clusters contained in French text <NorSe Labels moRe a d'nostredame passion> <tranSpoSes edda noRms> <Eddan moRse LAbels tranSpoSed> <a bluff soMe deems peril><fearful syMbole><annoyMent sufferable> <Money raffle blues impedes> <inDuctees pardon Marq><suiteD homam's preannounced MarQ><has preannounced Duties><nonMahommeds encaptured> <billers (who) FuSsed among unap'ointed billers fail><antipodes blessed unSaFe ill-failures><gambron [Bandar Abbas] use ill depletions>