Nostradamus C.6 Q.100: The powerful curse of musical code.
Although generally ignored or dismissed as a weird
curse this verse holds highly potent clues to the encoding techniques
concealing Nostradamus' deepest secrets. It is the obvious verse to
contain highly vital information since it is the only one entirely in
Latin and the only one with a header. And the curse itself is not a curse
but an invitation to ignore its threat if you wish to know Nostradamus'
secrets.
C.6
Q.100
INCANTATION OF THE LAW AGAINST INEPT CRITICS LEGIS CANTIO CONTRA INEPTOS CRITICOS.
Anagram Sequences in
French Text.
(** = full line
coverage)
FREQUENCIES OF RAREST OCCURRENCE in
Centuries
Reading the above extracts on Erasmus and
the text of Nostradamus verse C.6 Q.100 it is easy to see that
Erasmus fits the description of someone suited to be a participant in
whatever message the verse contains, However Erasmus had died nearly 20
years before the quatrains were written and published. Yet in this verse
is one of the two anagrams for Erasmus that are found in Nostradamus'
Prophecies. I believe that Nostradamus wrote this verse for a specific
audience and that names such as Erasmus were his ciphers for these people
to use as markers.
And there are many good reasons why this verse should also be
considered to contain a cipher for Julius Caesar Scaliger, the most
prominent of Latin writer of his time. Firstly this quatrain is the
only one in Latin which suggests the importance this language choice must
have in identifying its import to specific readers. A further clue is
Scaliger was considered by Erasmus to be an inept critic. Jules was
prolific in his attacks on many scholars of his time and claims of
ineptitude flew freely amongst him and those he criticised. Nostradamus'
reference to the inept critic in his header again draws attention to
the battle between Scaliger and Erasmus. it tells the knowledgeable reader
that this is the verse where the key lies to whatever purpose Nostradamus'
Prophecies serves. The solution in this verse lies within a group or
sect that is highly interested in the issues that divided and
united these two new conservative heretics (Erasmus and Scaliger) and
who viewed Nostradamus as their own special courier. They were people
Nostradamus had met in Agen during the time that Scaliger was in battle
with Erasmus from 1533 to 1538CE.
Given the relationship that had once
existed between the two men and Nostradamus high esteem of the
contributions Scaliger made to his own progress, it wouldn't be at all
surprising for this verse to have been used in the way I imply.
However this quatrain was published in 1555 when Erasmus was dead and
Scaliger was already confined to his bed and unable to adequately respond.
Scaliger died in 1558, the same year that the second part of Nostradamus'
Prophecies were officially published. Although both Scaliger and Erasmus
are indicated as ciphers underpinning this verse it
self-evidently wasn't in order for the attention of either of these
men to be drawn to it.
The name, Erasmus, is to be found in the first line where it
occurs in an anagram as ersus ma.
The only other place where an anagram for this name
can be found is C.3 Q.64 line 1 so it cannot be discounted as
a commonly found letter group. Nor can those that are found behind the
header where the following uniquely occurring anagrams occur:
Now these words are found together with other more frequently
found anagrams which are often adjacent to these rare ones
and this gives all of them extra poignancy. For example there is
Contraction.in.Poet.Critics,
Angliciste.Notaricon.Poets.Critic or the whole line can be
completed to read
So.Angliciste.Poet.Notaricon.Critic. The
term angliciste is very interesting since it can be readily applied to
Erasmus. He had spent several periods in England, most notably from 1509
to 1514 and he maintained many of these contacts thoughout his life.
However it also applies to a great deal of scholars in that era,
especially those linked to Marguerite de Navarre whose territory included
Nerac, 15 kilometres from Agen. Nerac, under Marguerite's rule, was a
haven for radicals and those under stress. Erasmus was one of the guests
to this region as were Calvin and the poet Rabelais. And although
this verse was self-evidently not aimed at Erasmus who died in 1536CE it
may well refer to one or more of Erasmus' friends or students. Julius
Scaliger on the other hand had no interest or liking for the English so
the angliciste epithet can't apply to him. However,
whatever way these rare anagrams are reconstructed there seems to be a
meaningful coding purpose underpinning this verse, a conclusion that is
strengthened by the anagrams found in the other lines of this verse.
The first line saying Quos legent hosce versus mature
censunto has anagrams which yield Erasmus
chose-length consequent verse a true.sum.
Consequent occurs as anagrams in a total of 5
quatrains while verse.a.true.sum is an adjacent
sequence. The anagram that provides this sequence is only found in
this verse as is a.true.sum.
The second line is equally as intricate and relevant
to the messages already shown. In its wording Profanum vulgus
et inscium ne attrectato we find
guest.in.music where both guest and music
are reasonably rare (four other occurrences each). Although other anagrams
like proof occur more frequently (20x for proof) they form a powerful
sequence that states Proof num-value guest in
music. There is also an anagram for neumatics
which occurs here and only one other verse. The word relates
to the notation of incantations and chants using
neumes as musical-value ciphers. Given that this verse is meant
to be an incantation and the previous line's hidden content alludes to a
true sum there is a coherence given to the whole and it flowers into
a beautiful coding scheme based on the structure of a verse and using
ciphers based on the same principle as music in the 16th
Century.
There is one other
anagram found in the 2nd line and it is is unique being found nowhere else
in the prophecies. This word is Vulganum and it
forms a sequence which uses most of line to say
Proof.Neumatics.Unites.Vulganum
(common Book of prayer)
The evidence
I have presented above tells us that the key to Nostradamus
work is somehow tied into two famous 16th C figures, Erasmus and Julius
Scaliger, yet it was clearly not intended for them. Although it can be
shown there is strong evidence that this verse is about a coding
scheme there seems to be allusions to 16th C music as well as
poetry. In addition the verse 's text highlights the
religious aspect of Nostradamus intended cipher. It is
therefore highly possible that guests to the region of Nerac formed a sect
(or group with common goals) into which Nostradamus had been initiated and
his career path then determined by
them.
It is possible to
trace these conclusions in many other powerful verses in the
Prophecies. From these verses it becomes apparent that their purpose is
to further the prospects of the Bourbon line and validate its
claim to being part of the lineage of Christ. It is also apparent that
this sect infiltrated the royalty of Europe including that of England and
Scotland.
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Showing posts with label neumatics. Show all posts
Showing posts with label neumatics. Show all posts
Wednesday, April 30, 2014
Nostradamus C.6 Q.100: The powerful curse of musical code.
Saturday, January 11, 2014
Centuries 4 Quatrain 93 (C.IV Q.93)
This verse carries powerful allusions to classical
astronomy figures thereby enabling a date to be given to a special royal
birth in 2013. 'A serpent seen near the royal bed' refers to the
region of sky between King Perseus and his wife Andromeda where the
serpent bearing head of Medusa is often depicted. This head plays a
critical role on their wedding night when Perseus uses it to turn his
rival to stone by getting him to look into Medusa' face. The location
and the highlighting of the head in the sky indicates that the head of
Taurus is Nostradamus' astronomic focal point. Similarly 'The lady at
night, the dogs will not bark' identifies the constellation as that of
Virgo since this lady has the hounds of Bootes above her head. The
anagrams give a complentary slant by revealing that it is the music of
the verse that defines the planets involved and Nostradamus' guide in
this matter seems to be the works of Cornelius Agrippa.
Agrippa makes music the major distinguishing feature
in sorting the planets into two groups based on harmony or voice.
He claims that of the seven Planets, Saturn, Mars, and the Moon have
more of the Voice than of the Harmony which Jupiter, Sun, Venus and
Mercury possess. This verse lacks internal rhyme which marks it as a
verse of the voice. And the evil tunes referred to in the anagrams are logically those of the voice
making the
Moon, Mars and Saturn the planets involved. The first line
holds anagram clusters saying 'lVna (Luna) pouver (power) present',
'elucidatory chore'. In Agrippa's scheme the Moon's sound is ill
defined so Nostradamus hidden wording is an appropriate intervention for placing
the Moon at the head of Taurus during the night.
Mars is the Roman god of war and is linked to the Greek god Ares. In
early incarnations as Ares, Mars was a fertility god and a protector of
cattle but over time his role as an earth god expanded to include death
and the underworld, and finally battle and war. Agrippa’s description of the symbols for
this planet says 'Mars [has] rough, sharp, threatening, great and wrathful
words' and the use of the word serpent fits neatly to
this description. This indicates Mars location matches
that of the Moon at the head of Taurus. It is also supported by the
repetition of pr/rp lettering throughout the verse which starts in the
first line.
And Agrippa's depiction of Saturn, the bearer of
the scythe of time, reads 'Saturn hath sad, hoarse, heavy, and slow
words, and sounds, as it were pressed to the Center'. Anagrams for
neumatic and year found in the second line are time
related terms that help identify Saturn as the planet located in Virgo.
The sounds that support this idea start with nuict and chiens whose
lettering slows down and weighs upon their pronunciation.
Because the astronomic windows are less than 10
degrees each (1/30th) and the orbit period of these three planets are about 30
years (Saturn), 30 months (Mars) and 28 days (Moon) and are not
synchronised we can expect that
only one date in every six hundred years can fulfill these narrow
astronomic settings. Using the astronomy program 'Redshift 2' by
Maris I can identify this date as June -July in 2013 CE. Now there was a
famous royal birth in that month but it was in England not France as
nominated in Nostradamus' text therefore it is unlikely to be that event
that is the subject of this verse. There is another notable birth to a
member of the royal family of Monaco. It does fit well to the date
since the third line uses the reference 'Then to be born'
implyimg some time shortly after and this birth took place in December'.
But there is nothing other than my interpretation given above to support
this posibility. Much of Nostradamus' Prophecies talk of a hidden
lineage and it is highly probable that if such a person does emerge they will
remain anonymous for many years and other pointers given in this verse
must become visible. For example the anagrams suggest that the person will have an interest in music in
his early years and the turning point in his life is his involvement with a
program aimed at removing the threat of nerve gas. This scheme involving
deliberate poisoning of the population fits to that found in many other
quatrains thereby rendering this verses details as critical
elements in Nostradamus story.
C.IV Q.93
A serpent seen near the royal bed, Vn $erpent veu proche du lict royal
Anagram Clusters contained in N's French text.
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